I am a fan of Vampires and werewolves.  If there is a movie that involves either of these monsters, I will give it a shot.  This predilection causes me to see some awful movies.  It was the reason that I went out with friends last weekend and saw Dark Shadows.  It was not a bad movie but it wasn’t a good movie either.

Dark Shadows stars Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, and Eva Green.  The movie follows the plot of the original soap opera from 1966.  Barnabas Collins, played by Johnny Depp, is a powerful playboy in Maine during the 1700′s.  He breaks the heart of a young witch during one of his many flirtations.  In retribution, she curses his family, kills his only true love, and ultimately turns him into a vampire.  Her final retribution is to imprison him in a coffin and bury him.  He is freed from his prison in 1972 and begins the process of finding his family and recovering the wealth and power that the witch has stripped from him over the intervening centuries.     The bulk of the movie is taken up by Barnabas Collins trying to reintegrate into his own dysfunctional family and a society that has long since left him behind while dealing with the witch that has brought all this upon him.

The trailers for the movie give you the feeling that this is a comedy. This is not a lie but a bit of an exaggeration.  The movie tries to be a large range of things but at the cost of not doing anything well.

The comedy in the film is centered upon Barnabas Collins.  Instead of a bloodthirsty beast, he is portrayed more like a child learning about this new era.  The problem is that we are not watching someone try to fit into our modern era but into 1972.  This makes the awkwardness all the more pronounced as this is a decade that most people look back on with regret.

While traipsing through ’70′s kitsch, Gothic elements are added to the mix.  The Collins family all have the pasty white complexion that is standard for the heroin of a Gothic novel. The movie already has a vampire and a witch but can not resist adding the other denizens of Gothic literature.  Ghosts and werewolves are added to the mix and the family mansion, Collinwood adds the final dollop of gothyness to the recipe.  These supernatural elements are reinforced through small scenes throughout the movie such as Barnabas confiding in a group of hippies then feeding on them all.

But wait, there’s more!

Since this is based upon a soap opera we have to have to add family drama into the mix.  The Collins family is small and has fallen upon hard times due to the depredations of the witch that cursed Barnabas so long ago.  Michelle Pfeiffer plays the matriarch, Elizabeth Collins Stoddard, who struggles to keep what is left of the family strong.  She has a surly teenage daughter, a troubled nephew, and a philandering thieving brother.  The family business is in serious decline and the family estate is in total disrepair.

If you think that this is a lot topics for a movie, you would be correct.  Each of these things would be entertaining on their own but none are given enough attention to make it passably entertaining.  There are many scenes throughout the movie that would have been more engrossing if given more traction.  One example would be the Collins family business.  The idea of a vampire and witch struggling for dominance of the business world is  intriguing.  There are many facets that could be explored in this one idea all of which are rife with comedic possibilities.  Instead, we are given one scene in which the Barnabas uses mind control and to get ship captains to do business with his family.

If you were a fan of the original soap opera, this film is for you.  The myriad topics that are dealt with in the movie are directly derived from the soap opera’s plot.  On the other hand, if you would like a comedy that will entertain you and make you laugh, give this movie a pass.  It is definitely not worth the cost of a matinee ticket.

Written on May 17th, 2012 , Comedy, Movies & TV

Want to cause your liver some damage?  Drink every time we talk about John Carter’s marketing, Humberto Ramos/John Romita Jr art, or Paul says “gotta be honest!”

  • The Avengers!
  • Fear the Con 5
  • Free Comic Book Day
  • The Valiant Relaunch (X-O Manowar #1)
  • DC’s New 52 – 2nd Wave
  • Night of the Owls
  • The Secret of the Indigo Tribe
  • Avengers vs. X-Men
  • Ends of the Earth
  • Daredevil #10
  • The Spider #1

Give us a call at 972-763-5903 and leave us your thoughts. If we use your voicemail, you’ll win an Ideology of Madness SurPrize.

Paul’s home alone!  The horror!

Aron, Wayne, Tim, and Andrew were all at Fear the Con this weekend, leaving Paul to fend for himself in the scary podcasting waters.  What was he to do?  Luckily, some loyal listeners, Ray and Rob, volunteered to join him for a special episode about this weekend’s huge blockbuster hit, The Avengers.

They talk about their favorite scenes, characters, moviegoing experiences and…perhaps most importantly…what you do to get that Avengers fix after the movie!

Whether you read comics regularly or not, if you enjoyed the movie, give this episode a listen!

Warning: You are entering a spoiler-rich environment! If you haven’t seen The Avengers yet and do not wish the movie spoiled for you, download and listen AFTER you’ve seen it.

Along those lines, we have included our interview with Jim Starlin from last year who also spoiled a little key information from the movie.

With a career in comics spanning 40 years, Jim Starlin was responsible for re-imagining such characters as Captain Marvel and Adam Warlock for Marvel… and then killed them.

He’s the fellow who gave us Thanos (who loves Death) and over at DC, he killed off Jason Todd in the now infamous A DEATH IN THE FAMILY.

Sensing a theme?

Jim Starlin produced the third volume of his creator owned BREED over at Image Comics. It’s a horror story centering on the activities of Ray Stoner who is half-demon, half-man. Monstrous hijinks ensue.

Of course, Starlin was a pioneer in the realm of creator-owned content.

Starlin debuted his Vanth Dreadstar character in the serialized Metamorphosis Odyssey appearing in the pages of Marvel’s Epic Illustrated. Beyond that initial serialized story, Dreadstar moved onto his own original graphic novel followed by a monthly under Marvel’s Epic banner followed by a series at First Comics and then a mini-series at Malibu.

And Aron isn’t the only one sporting a chubby for Big Jim. Oh no, Paul has a deep and abiding love for all things Thanos and the Infinity gems.

Brother Starlin teases a little news in this episode about Dreadstar… and Thanos and a certain movie project.

Join our unabashed geek love fest as we adore Jim Starlin.

Give us a call at 972-763-5903 and leave us your thoughts. If we use your voicemail, you’ll win an Ideology of Madness SurPrize.

I may not have mentioned it, but I have a penchant for action movies.  Hell, I’ve seen every Transformers movie despite them being wretched.  Michael Bay may not be able to keep a plot together with a hammer and nails but he damn well knows how to blow shit up.  When I saw that Jason Statham had a new movie coming out, I knew that I would be heading to the cinema to see it.

Safe is a an action movie in the vein of Man on Fire.  Statham plays Luke Wright, a broken man with a dark past.  This is nothing new in the action genre but it is a character I enjoy seeing portrayed on the screen.  Safe takes a different direction than one would expect for an action movie.  Instead of beating you over the head with the action from the very beginning of the movie, you are given a peak into what has brought the two main character to this point.  The movie gives a nod to Hitchcock with the true thrust of the movie starting on a subway platform with the chance meeting of our two main characters.  Wright, despite being wrapped in despair, spies the frantic flight of eight year old Mei from her pursuers.  Instead of following this thread to its violent end, we are taken back in time and introduced to the two protagonists.

Mei is a seven year old mathematical genius in China.  She is kidnapped by the Chinese mafia and coerced into being their living computer.  We are shown that her mother is deathly ill and that she has no other family on whom she can depend.  This is the lever that is used to convince a scared young girl to cooperate.  The flashes forward are used to show how they use her gift to keep track of all of the business in New York City and how she is exposed to the nature of the Mafia’s practices.  We are also introduced to Luke Wright.  We are shown that he is fighting in low-rent MMA bouts though he is easily better than any of the opponents that he faces.  His actual job is to put on a good show then throw the bout so that the Russian Mafia can make money betting against him.  When he is placed in a bout with someone who should have never been in the ring everything begins to fall apart for Wright.  The depth of his descent is illustrated through his various interactions leading up to the strangers on a train scene in the subway.

I really enjoyed how this drop back into the past of the two main characters works.  It is an interesting way of delivering exposition as well as providing a stronger connection to both characters.  In addition to these departures from the standard action movie formula, I appreciated the strength that was demonstrated by Mei throughout the movie.   Instead of a child in constant need of rescue, she seizes opportunities when they are presented without sacrificing that vulnerability inherent in a child out of their depth.

I would certainly recommend checking out a matinee of this movie.  You will enjoy it.

Written on May 2nd, 2012 , Action Adventure, Movies & TV Tags:

I was looking for a new movie that fell in line with my theme of badassery and noticed that Lockout came out over the weekend.  From the description on IMDB and the trailers, it certainly seemed to fit the bill.  One of the writers for the movie was Luc Besson.  I am a big fan of The Fifth Element, The Professional, and Taken so it did not seem like a big risk to go give this movie a shot.

Lockout is the story of Ex-CIA agent Snow.  In the course of trying to help a friend protect US military secrets, He is accused of the murder of his friend and selling those same secrets to enemies of the US.  During Snow’s arrest and trial, The President’s daughter is on a fact-finding mission to the super-max space station prison.  Due to a series of mistakes by security personnel on all sides, all of the prisoners in stasis are released and the President’s daughter is put at risk.  In order to save the President’s daughter, a one man assault seen as the safest means of assault.  Who better for a crazy rescue attempt than a highly skilled ex-CIA agent?  Violence does ensue.

I will freely admit that this movie is pretty much Die Hard in space.  I do not see this as a downside.  I really enjoyed Die Hard and I am a big fan of science fiction.  So,the juxtaposition of the two seems like and easy combination to me.  One of the problems that could have plagued this movie is that it might have taken itself seriously.  This does not happen, thankfully.  Guy Pearce plays Snow and channels the same energy that was a hallmark of John McClane in Diehard.  Instead of coming off as tired and overdone, it feels like a warm homage to a well-loved character.  Pearce easily chews up the scenery, interspersing his characteristic acerbic wit into the ubiquitous bouts of violence. The villains of the piece are a bit of a departure from Hans Gruber.  Now this is not to say that they do not chew the scenery as well, as they do.  Instead of the witty banter between the villain and the hero, we are given a power struggle between the two villains.  The struggles between Alex and Hydell are a refreshing change in the action movie formula.  The twist, though predictable, was also a welcome change to this tried and true set-up.

The science fiction elements in the story take a backseat to the action for the most part.  While on earth, there is one chase scene where Snow attempts to escape using a futuristic motorcycle.   This ends up being the weakest action piece of the movie as it involves very little of snark that makes Snow entertaining and the CGI is very weak .  Luckily, the action easily takes place outside of the need for many effects and moves along at a rapid pace.  There is one major set piece battle at the climax of the movie which is rendered well.  It  serves both to enhance the personal nature of what is happening on the space station and further highlight the skills of Snow.

I am a fan of action movies and Lockout is a movie that embraces the nature of the genre.  It is a light popcorn movie filled with explosions and snappy banter to provide a nice two hours of entertainment.  Well worth a matinee if you are a fan of the genre.

Written on April 18th, 2012 , Action Adventure, Movies & TV, Science Fiction

I’ve done a lot of talking about games on here and feel that I’ve neglected other forms of entertainment.  In an effort to correct this egregious error, allow me to apologize by telling you about a TV show that is something you should be watching.

Justified is a show on FX  that is currently on season 3 and has been approved for a fourth.  Amazon has a pretty good one line description of the show as ” a 21st century wild west show.”  Now, I know you just read wild west there and are getting ready to hit the back button on your browser but hear me out.   I will let you in on a little secret.  If you like Han Solo or Malcolm Reynolds, you will like Deputy US Marshall Raylan Givens.

The heart of the show is Raylan Givens.  He is a powerful yet flawed man played skilfully by Timothy Olyphant.  The trope of the laconic lawman fits easily upon his shoulders for this show while not becoming a straight-jacket allowing for character growth as the show progresses.  His flaws are the more entertaining aspects of Raylan’s character as they play up the very duality of the cowboy/lawman.  He showcases the necessity of having to take up the gun to protect those less powerful, but that to do so requires someone flawed to be willing to do this in the first place.  The opening scene of episode one will easily cement in your mind why the application of the wild west epithet is necessary and shows you that Raylan Givens is a bad-ass.  The entire first season is based on the ramifications of this opening scene.  Raylan is forced to return to his home jurisdiction and face the past he left behind in the great state of Kentucky.  Wait, don’t leave.  I know I said Kentucky but don’t leave yet as I still have not told you how he is like Han Solo or Malcolm Reynolds.  Though, I’m thinking from the little bit I’ve told you so far that I think you are getting the picture though.  The addition of the Kentucky backdrop and the hillbilly ancestry just increases that feeling of a modern-day wild west show.  It provides a way of highlighting the the disparate living conditions present within out country without the heavy-handed condescending tone belittling the backwoods people.  It just portrays them as people trying to survive.

The other strength of the show is that it does not fall into the trap of Raylan being the only bad-ass.  The Marshall’s office is populated with people that are just as skilled and colorful as Raylan.  Instead of a show with a protagonist that must save everyone, this show goes with a slate of capable supporting characters and villains.  This creates a much deeper narrative as you get to see Raylan as viewed by the other deputies in his office.  The villains of show are not given poor treatment either.  Each is given a depth of character and connections to our hero.  This weaves a textured tapestry into the story that is unexpected for a  cable network crime drama.

Justified is a show well worth your time.  All the parts are working together to provide a great hour of entertainment.  It is a show with the skeleton of a crime drama and the soul of western but that geeky core is hidden in there as well.  Han Solo and Malcolm Reynolds can easily be seen peeking out from behind the eyes of Raylan Givens when he draws his weapon.  Cowboys are cowboys, even in space.

Oh, I forgot to mention that you can stream season 1 through Amazon Prime or get the DVDs through Netflix or wherever you get your DVDs.

Written on April 4th, 2012 , Television Tags:

“When you play the game of thrones, you win or you die. There is no middle ground.” Now I’m going to go out on a limb and guess that if you are visiting Ideology of Madness that you have at least heard of a Game of Thrones. If you haven’t, I highly recommend reading the book series and/or watching the HBO show. Both formats are fantastic. If you aren’t familiar with the series, don’t worry. You don’t need any knowledge of it to play the Game of Thrones board game from Fantasy Flight Games that I’m about to discuss. However, I do feel that familiarity with the source material greatly enhances the play experience.

Now if you are worried about anything being spoiled from the series than you are in luck because the board game contains only one event that could be considered a spoiler. If you’ve read the first book or watched the first season of the show than there is nothing to be worried about. If you have zero knowledge of the series than I am going to warn you that you may want to stop reading this because the one event that is revealed sets up the entire foundation of the board game. Read the rest of this entry »

Written on March 19th, 2012 , Games, Movies & TV Tags: , ,

  • ARON WENT TO THE MOVIES: JOHN CARTER and THE DYNAMITE BOOKS
  • MASS EFFECT 3
  • ANDREW AND THE RPG FLEA MARKET
  • AMC’s WALKING DEAD RETURN OF THE RAGEY RED TIM
  • AMAZING SPIDER-MAN 680 and 681
  • AGE OF APOCALYPSE #1
  • WINTER SOLDIER 3
  • AVENGERS ACADEMY 27
  • ACTION COMICS 7
  • MANHATTAN PROJECTS

Give us a call at 972-763-5903 and leave us your thoughts on the Third Annual Funnies. If we use your voicemail, you’ll win an Ideology of Madness SurPrize.

Check out James’ new Kickstarter project!  He’s working up an RPG with art by Knights of Reignsborough illustrator Jake Ekiss!

We’re running games set in the Knights of Reignsborough universe Fear the Con 5.  Tim’s Escape from Dauger Island game telling the story of a super-villain prison break is already posted.  Ghosts of Reignsborough, a supernatural game, and Squires of Reignsborough, a teen heroes game, are both coming soon!

We mention Adam Warrock in this episode.  Check out his fantastic comic book inspired music!

  • Kevin Smith’s Comic Book Men
  • AMC’s The Walking Dead
  • Bendis on X-Men
  •  AvX Program Guide
  • Avengers Academy #26
  • Secret Avengers #23
  • No Place Like Home #1
  • Fantastic Four #603
  • Ultimate Comics All New Spider-Man #7
  • Marvel Heroic Roleplaying

Give us a call at 972-763-5903 and leave us your thoughts on the Third Annual Funnies. If we use your voicemail, you’ll win an Ideology of Madness SurPrize.

Believe it or not, Andrew went to see Ghost Rider 2.  We talk about it, one thing leads to another and we break the Internet.

Then we talk comics:

  • Amazing Spider-Man 679.1
  • Daredevil 9
  • Winter Soldier 2
  • Wolverine and the X-men #5
  • DCU Presents: Challengers of the Unknown

Give us a call at 972-763-5903 and leave us your thoughts on the Third Annual Funnies. If we use your voicemail, you’ll win an Ideology of Madness SurPrize.

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